When I first left college I worked mostly in lithography, drawing on limestone blocks and aluminum plates and printing by hand with a used press my father bought me. It's such a beautiful medium, combining the delicacy of drawing with the richness of oil-based inks. It's also very demanding and I eventually gave it up for painting, but the beauty of printmaking is that I still have some of these editions.
Captive Palms, 1982 Lithograph on paper, 22" x 30" Edition Available |
Mono Lake II, 1984 Lithograph on paper, 30" x 22" Artist Proof Available |
Mono Lake V, 1984 Lithograph on paper, 22" x 30" Edition Available |
Mono Lake VII, 1984 Lithograph on paper, 22" x 30" Artist Proof Available |